Thursday, June 26, 2003

Phair pops out


New glossy sound has critics of edgy indie queen carping

By David Bauder
The Associated Press

[IMAGE]
Liz Phair
The first time Liz Phair pooled her allowance to buy a record, years before she became an indie rock queen, she bought "Saturday Night" by the bubblegum band Bay City Rollers.

That's worth remembering now that the 36-year-old singer has set off a debate in the rock world simply by making a disc designed to be enjoyed by as many people as possible.

Some fans feel betrayed, others intrigued. All can judge for themselves; the disc, her first in five years, was released Tuesday.

Titled Liz Phair, the cover features the star with teased blond hair and covered up by a strategically placed guitar. Among the 14 glossy pop-rock songs are four co-written with the Matrix, the hit-making team behind Avril Lavigne's smash "Complicated."

Her debut a decade ago, on the other hand, was decidedly lo-fi. Complete with frank sexual talk, Exile in Guyville was a brash, feminine response to the classic Rolling Stones classic Exile on Main Street. Critics and hipsters loved it, saying it captured the mood of many women in their 20s.

"I'm the same person I always was," Phair said. "I just lost the whole 'cool school' thing."

Reviewers weigh in

By courting pop success, some critics have essentially called her a sellout. The New York Times writer Meghan O'Rourke said Phair "has committed an embarrassing form of career suicide."

"Ms. Phair often sounds desperate or clueless," O'Rourke wrote. "The album has some of the same weird self-oblivion of a middle-aged man in a midlife crisis and a new Corvette."

Others differ. Jim Farber in the New York Daily News said the disc's slickness covers up Phair's weaknesses as a singer and player. "The added elements have made her songs catchier and her vocals more compelling," he wrote.

Phair recorded and shelved three albums in the past five years, as she got divorced and moved with her 6-year-old son from her native Chicago area to Los Angeles, the cradle of stardom.

As a single mom living in an expensive new area, Phair was eager to take a big swing at success and agreed to work with the Matrix. Exile in Guyville and its 1994 follow-up, Whip-Smart, each sold just under 400,000 copies, and 1998's whitechocolatespaceegg sold 266,000 copies - respectable if you're a struggling artist type, but not on the level of a major star.

Phair believes working with others has amplified, not concealed, her personality. She said she's not turning her back on the woman who wrote Exile in Guyville.

"What did you do in your 20s?" she said. "Oh, I wrote one of the most influential albums of the '90s. It's awesome. But it shouldn't stop you" from trying different things, she said.

Still, she doesn't dismiss unhappy fans.

"Of course I care," she said. "I like them and I'd like them to like me. If they don't, that's fine. I don't like every record. I hope they don't reject me as a lifelong artist. I think that's a little bit spastic."

Still naughty

The new album has one song explicit enough to make Mick Jagger blush. She also sings about picking up a guy nine years younger for sex and about the allure of infidelity.

Yet a song with nothing to do about sex packs the biggest emotional wallop. "Little Digger" describes the wrenching confusion of a young boy seeing his divorced mom with another man for the first time.

"My goal, if I have one as an artist, has always been to expand the acceptable rules for women and girls," Phair said.

"One of the things that was hard for me growing up was older women who did not talk about things that they felt outside of an accepted way of talking," she said. "I think it's important to allow yourself to say things that are not OK."



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